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The Moral Imagination and the Spirit of Literature

By educating our sentiments—by wedding feeling and form, appetite and intellect—good literature moves us to love and hate what we ought to love and hate.
For a conscience coddled by a culture of self-definition and consent, choice cloaked as grace will always look preferable. But hard, engraved truths such as fatherhood offer rescue from the hell of interminable deliberation—which, as Alasdair MacIntyre has argued, is the hallmark of modern moral theory.
The question is not whether we will wrestle with the morality of art, but how artful our wrestling will be. Irony is not an essence or an end: irony is a means toward other aims. By nature, it appeals to our moral sensibilities, even if at its most mature it does so indirectly.